Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts

Tuesday, November 29, 2011

Thanksgiving 2011

This was an epic Thanksgiving for me. Every year, since the beginning of time (or since the 1960s, when my mom moved to NYC), she has celebrated Thanksgiving with a long-time friend (and later, her family, which has always felt like an extension of my family). This year, our family friends had the opportunity to travel abroad over the holiday, so the tradition was put on hold. With that, my parents flew down to Austin for the long weekend. At first, I was planning to make reservations to go out. Oliver's and my jobs have been uber busy and the thought of spending hours in the kitchen over what was sure to be a lovely weekend didn't sound appealing. Then I remembered that I actually like cooking, and I especially love baking. It dawned on me that Thanksgiving for a small group could be less "maniacal party planning" and more "dinner for four;" simple, casual, relaxed and, most importantly, FUN. Let the planning begin!

Some favorite dishes came from Smitten Kitchen:
• Appetizer: Creamed Mushrooms with Chive Butter Toast
• Side: Sweet Potatoes with Pecans and Goat Cheese

After spending the morning and afternoon with Oliver and my parents, hanging out and strolling around our neighborhood (it was 75ยบ and sunny!), I got to cooking. Can you believe I was too wrapped up in cooking and enjoying myself to remember to take pictures of each dish? Thankfully, I'm not a food blogger because I would have failed, friends. I didn't even get a good shot of the Thanksgiving table, even though I wrote a Houzz article on eclectic holiday table settings earlier that week, and took some of my own advice! Here are a couple of detail shots:
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I am pretty proud of this bouquet. It was fresh and bright, just like the day!

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I just wanted to show off the cute little owl napkin rings I snagged in Mineola a while back. 

I did, however, snap some shots of dessert (you know, the most important food group): Mini pumpkin pies with fresh whipped cream!
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They tasted delish after brunch and leftovers over the next few days, too! Photo & Video Sharing by SmugMug
You like those green rope-themed napkins? My mom made them years ago – aren't they great? 


The rest of the weekend was spent exploring Austin. We hit the Blanton Museum of Art, roamed around the UT campus, checked out the first-ever Renegade Craft Fair Holiday Market in Austin as well as the City-Wide Garage Sale, drove to Wimberley for wine tasting, where we picked up a cute bar cart for pennies (post forthcoming), had happy hour at Hotel San Jose and popped into the shops along South Congress, and ingested way too many good dinners and brunches. I hope you all had wonderful dinners with friends and/or family – whomever makes you feel loved and thankful!

Monday, April 18, 2011

Heritage Homes Tour

I cannot believe more than a week has already passed since I started to write this! Saturday, April 9th, the Heritage Society of Austin hosted it's nineteenth Heritage Homes Tour, cleverly named "The Bold and the Beautiful," featuring grand estates that rarely allow access to the unwashed masses. We were washed, FYI. I was even wearing a sun dress because it was 90-something degrees!
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Me, outside Woodlawn/Pease Mansion


It was unclear as to whether or not photos were allowed, but we brought the camera, just in case. As it turned out, photos were generally not allowed, but some volunteers weren't aware of the rule, so Oliver got a handful of good shots before being kind of berated.

Insallah
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The first house we visited was a bit of a let down. "Insahallah" (602 E. 43rd St) was built in 1920, but, sadly, has been remodeled so many times by people who clearly weren't interested in retaining any of the historical elements of the home, as it has been almost completely stripped of all original detail.
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Nothing historic-looking about that! (Real estate listing photo)

Redeeming features included an awesome inlaid wood star, and Texas star theme in general that was repeated throughout the house, in addition to some lovely tile flooring.
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Photos snapped covertly by Oliver

The library was the most historic room in the house, with it's original wood paneled shelves still in place:
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The rambling home had a floorplan that made no sense (one room lead to another; some rooms had three doors for entering and exiting) and poor, "builder-grade" finished (faux wood treatments, cheap flooring, faux beams made to look old and "ranchy,") which made the whole place feel cheap. The home, which is for sale, is situated on beautifully landscaped grounds, so hopefully the right person will purchase it and restore it back to the condition in which it is meant to exist. Obviously, it wasn't all bad – if I had an extra $2,950,000 burning a hole in my pocket, I might buy the place for the pool alone!
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Fun wagon artifact near the front of the house
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Commodore Perry Estate
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The disappointment of the first house set our expectations quite low, so we were a bit wary of the next place. We were simultaneously pleasantly surprised and blown away at house number two, the Commodore Perry Estate (710 E. 41st), which was chock-full of original details and sprawling estate-y charm. Since its completion in 1928, the home has not changed hands many times over the years, so most of the original elements remain. Dallas architect Hal Thomson designed the 23-room Renaissance-style house, which features a central mass flanked by two pavilions, a terracotta roof, a triumphal arched entry with Corinthian columns, a grand staircase and entry hall, oval walnut-paneled library, dark oak floors, Mexican tile and wrought iron details. A decorator show house was hosted in the home in the 1980s and a few remnants of the wild (and completely not historic) choices made remain, such as pseudo-trompe l'oeil wallpaper, over-the-top drapes and a pleated upholstered ceiling treatment, although none of that managed to detract from the beauty of the home.
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Arched portico overlooking gardens – tile flooring from Mexico


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Original marble flooring in entry with original iron door


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Oval library paneled in walnut, which was cheaper and more widely available than mahogany at the time (not at all the case today)


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Walnut paneled dining room (featuring heinous 1980s window treatments)


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Gorgeous staircase leading from entry to upstairs bedrooms


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All the bedrooms also had sleeping porches for toasty summer nights


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Built-in vanity for the lady of the house. Don't overlook the lovely mouldings and intricate door details with inset mirrors!


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Intercom in the servant's hall

Thankfully, a local investor has purchased the property and is working to restore and preserve the buildings and landscape further.

Sweetbrush (Swisher-Scott House)
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Photo courtesy Heritage Society of Austin

Next we visited Sweetbrush (2408 Sweetbrush Ave), a Greek Revival built by celebrated and accomplished master builder Abner Cook in 1853. While the property has had a handful of different owners over the last 158 years, original details have not only been preserved, but celebrated, earning it a spot on the National Register of Historic Places. The structure was relocated in the early 1900s to a plot of land overlooking the future Lake Austin. Measured drawings had previously been created by Samuel E. Gideon,an avid admirer of the home, and her was able to accurately reconstruct it. The home originally had three-foot-thick brick walls but such insulation was no longer necessary, so the extra bricks were used to create two additional wings flanking the center structure, in keeping with Greek Revival's adherence to symmetry. The current owner has been painstakingly restoring various parts of the home. Operable exterior shutters have been restored or replicated, as needed. Original floors, mantels and woodwork remain. Ionic columns at the front entrance have been sanded down to remove 16 layers of paint and reveal the wood grain, once again. Abner Cook's signature is an x-motif used on railings. An example remains on a second floor balcony.
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While the owner has some amazing furnishings, rugs and accessories, which add to the richness and historic elegance of the home, the she would benefit from the expertise of an interior designer who specializes in historic preservation to help with things like rugs and window coverings. Greek Revival architecture looks quite ornate and detailed by our current building standards and often inspires designers to bring in fussy decor and textiles. In reality, the style is actually quite understated and pared down. Floofy window valances and crazy drapes are not historically accurate, and tend to compete with the architecture.
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Lovely furniture, but the drapery is just too much for the time period. (Photo courtesy Heritage Society of Austin).

Woodlawn (Pease Mansion)
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Photo courtesy Heritage Society of Austin

Woodlawn (1606 Niles Road) was our next stop. Also designed and built by Abner Cook in 1853, the home's exterior features six fluted columns and Mr. Cook's signature openwork diamond-pattern balustrade. In 1957 the owners at the time added rooms on the northside of the property. It passed through the hands of the University of Texas before being purchased by Jeff and Laura Sandefer in 2003. While upgrading the foundation, mechanical systems and adding 21st century standards to the home, the couple removed the additions to reflect the home's original (and intended) symmetrical configuration revered by the Greek Revival style. The home, a national, state and city landmark, is considered one of the finest examples of Green Revival architecture in Texas.

Entry
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Photo courtesy Traditional Home

Mark Ashby, one of Austin's finest decorators, worked his magic on the interior, which looks fresh and contemporary, but is respectful of the home's historic elements. Ashby nailed it with the window covering (clearly my obsession here); they are stately and refined without being gaudy. He brought in a variety of textiles and textures that work beautifully with the case goods and flooring to create a modern yet classic style throughout the home.

Formal living room: Ashby created two seating arrangements using different furniture in each setting, yet it doesn't look cluttered or busy. The chandelier in the center ground the room without blocking views while the gently lacquered ceiling reflects light throughout the grand room.
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Photo courtesy Mark Ashby Design

Parlor: I would be honored to wait for my hosts to greet me in this lovely room!
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Photo courtesy Mark Ashby Design

Family room looking toward kitchen: A variety of textures result in a visually compelling room without being overwhelming
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Photo courtesy Traditional Home

Neill-Cochran House
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Photo courtesy Heritage Society of Austin

The final home on the tour was the Neill-Cochran House, yet another Abner Cook design. Built in 1855, the 18-inch thick walls are clad in local rubble-cut limestone with contrasting painted wood trim. After completion, the owners couldn't afford to live in the house, so from the beginning, the grand manor house was a rental. It changed hands twice (owned first by the Neills, the the Cochrans) before being purchased by The National Society of the Colonial Dames, who furnished it with 19th-century antiques and later turned it into a the Neill-Cochran House Museum. The Dames are still restoring the house, but it is open for tours and events. They are also in the process of acquiring more furniture and accessories from the Cochran family, as one of the Cochrans is still alive and visits frequently! Photographs were not permitted and there aren't any good interior shots floating around the interwebs. You'll just have to take my word for it; the house is beautiful and worth a visit on your next trip to Austin!

This was a wonderful collection of homes that we would never have had access to otherwise! I'm already looking forward to what we'll see next year! Of course, the tour left me inspired to come up with a snappy but stately name for our own (mini) estate. I'll have to run some ideas by you guys.

Tuesday, March 29, 2011

Red, White and Quilted All Over

I know I moved to Austin and all, but that doesn't mean I've stopped caring about happenings in New York, I just don't report on them as much – there are gobs of stellar New York-based bloggers, afterall. Well, this exhibit is one I felt deserved a little attention because it's not one you might not stop into on your usual museum rounds. The American Folk Art Museum is sponsoring a satellite exhibit,  Infinite Variety: Three Centuries of Red and White Quilts, featuring 651 red and white quilts, on display at the Park Avenue Armory. Running from March 25 -30, the exhibit is short-lived, but free and open to the public. I'm sad I'm missing this one. Quilting has been catapulted from a crafty "women's work" kind of reputation to treatment as a fine art. The designs in this exhibition, assisted by the outstanding presentation, proves that quilting is, indeed, high art.
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Photo courtesy American Folk Art Museum

Aside from the fact that this is the largest exhibition of quilts ever presented in New York City, the most interesting part is that the collection belongs to (and is on loan from) a single person. Joanna S. Rose actually owns more than 1,300 quilts amassed since the 1950s, but selected only the red and white ones for the show. The limited color palette surely allows for a much more in-depth exploration of the varieties and complexities of the textile designs.
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Designed by Thinc Design, the exhibit consists of six 30-foot high cylinders, created from quilts, that surround a 50-foot quilt spiral. The curator requested that the quilts not be displayed by pattern, time period or geographic region, but rather in a manner that is visually exciting. I'v been to quilt exhibits before, and they always look the same: quilts hung on walls. This, however, looks phenomenal.
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In an interview with the NY Times, Ms. Rose, who was heavily involved in the curation of the show, said she found inspiration in a line from Shakespeare's "Antony and Cleopatra" when searching for an exhibition title:

Age cannot wither her, not custom stale
Her infinite variety…

As stated in the Times, the quilts have retained their "infinite variety" and have not turned "stale" with age.

For Ms. Rose, this show is a dream come true, and a birthday gift from her husband, both for her and for New York.
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Exhibit images courtesy Thinc Design

My mom, who happens to be taking a quilting class right now (go mom!) went to the show and said it was spectacular, therefore, you should go see it. Still not convinced? Check out this video by Mary Kay Davis shpwing photos by the American Folk Art Museum. It's set to Chopin's Three Nocturnes, Op. 9, No. 3 in B Major (aka it's lovely), but if you're at the office and classical music streaming out of your computer will blow your cover, turn down the volume.


The Park Avenue Armory is located at 643 Park Avenue, between 66th and 67th streets). Remember: free and open to the public through Wednesday (tomorrow)! The museum is open until 7pm on Tuesdays, and 5pm on Wednesdays.

Sunday, January 24, 2010

We're back

My staaaaahz, it's been a long time since we posted. Oliver and I had a crazy few weeks of out-of-townery, but we're home now and getting back to business. We will be back on track this week with our regular posts, but for now, a little summary of what we've been up to.

Dec. 30-Jan. 2:
We spent a snowy New Year's Eve at my parents' little cabin in New Jersey where I shoveled the driveway three days in a row. It was a fun experience and great exercise (my guns were PUMPED!) but I think the novelty would wear off if faced with digging one's car out of the snow every morning before work.

Jan. 8-10:
We took Amtrak to the Adirondack mountains for my cousin Gabrielle's wedding. The train was far roomier than an airplane, but when the bathrooms broke, we were glad our trip ended in Lake Placid, rather than Montreal, which would have been another five hours or so. The wedding took place at a stunning resort, The WhiteFace Lodge. And while Oliver and I are decidedly anti-winter, even our stone-cold souls couldn't deny the beauty of the location and the day in particular. The snow looked like glitter as it fell outside our window.

Who doesn't love a picture of themselves sleeping with a creepy photo bomber aka lovely wife?

I had the honor of applying Gabrielle's wedding day makeup while her sister, Jocelyn, created a masterpiece of a hairdo.

Makeup mayhem. I can't wait to post professional pictures of the stunning bride!

Hair in progress:

Hair after:
Photo by Jocelyn Killmer
Full disclosure: Jocelyn, who is studying for a PhD in medical anthropology (smart and creative!) also did all the fabulous hair for our wedding.

Oliver being the life of the party, as usual, with Jocelyn's boyfriend, Drew, who actually was the life of the party:

Jan. 14-19:
• We flew to Texas to visit Oliver's immediate family and old friends. With our friends, John and Candice, we revisited two museums we love in Fort Worth. First up, Kimball Art Museum, designed by architect Louis I. Kahn in 1972, who was a master of optimizing natural light in is work. This museum is no exception. Skylights admit light and perforated metal reflectors distribute throughout the vaulted spaces. It is a relatively small museum, always with a well curated selection of pieces.



Oliver's favorite little dude:

After the Kimball, we hit the Tadao Ando-designed Modern Art Museum of Fort Worth, one of the finest contemporary examples of modern architecture complete with five flat-roofed pavilions with forty-foot metal-framed glass walls that maximize natural light surrounded by landscaped grounds and a 1.5 acre pond, giving the monolithic structure a light, floating feeling. The interior is full of fun nooks and crannies to discover, a catwalk and outstanding typography.




John and I pondering whether or not to take a piece of candy. We were allowed. We took. We ate.

Action shot in an acoustically fun Richard Serra sculpture:

Exterior of said sculpture:

After all that culture we spent the rest of our time relaxing with good company and deliciously warm weather. We celebrated the birthdays of Martin Luther King and John, who turned 31, with a potentially offensive and overly decorated cake courtesy Oliver and his impossibly adorable niece and nephew (baked by Oliver's mom).


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